![]() ![]() Indeed, the influence of Waiting for Godot on The Dumb Waiter is obvious.Ī more recent text of The Dumb Waiter can be found in The Bedford Introduction to Drama, published in 1989 and edited by Lee A. ![]() Waiting for Godot was a radically influential and transformative play. ![]() Nothing really seems to happen except for the meaningless passage of time in a world emptied of meaning in which people live devoid of purpose or power. ![]() Seems to be a series of grim vaudeville turns by the two. Essentially, the play is an obscure rendition of two tramps waiting for the arrival of the mysterious Godot, the play The paramount literary influence on Pinter's play is Samuel Beckett's Waiting for Godot, first published in French in 1952 and in Beckett's own English translation in 1954. Both are waiting both are dumb one waits dumbly for the time to carry out an assassination the other, unknowingly, for his own execution. While the title of the play seems to refer to a small elevator built into the wall, usually used to transport food and trash from one floor in a building to another, Pinter is not referring only to the dumb waiter as a contraption, but to each one of the men as well. Their entire being is defined by their obedience to invisible, all-powerful, and quietly menacing forces. They themselves seem to determine nothing. Like cogs in a machine, subject to mysterious directives, bound together but alienated from each other, the hit men follow the orders they are given. Set in a claustrophobic basement furnished like a cheap hotel for transients or even a prison cell, it is a study not so much of the two hit men temporarily staying there as they wait for their orders, but of the character of their interaction and of the nature of their condition, and by extension, the nature of the context defining the human condition. Harold Pinter's The Dumb Waiter (1957) is a two character, one-act play. ![]()
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